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A Complete Unknown review – Timothée Chalamet radiates charisma in evocative Dylan biopic

James Mangold’s handsome portrait of the enigmatic singer’s stratospheric early career boasts a barnstorming lead performance yet often slips into heavy-handednessIt’s a remarkable performance. Star of the moment Timothée Chalamet inhabits the loose-limbed, live-wire physicality of the young Bob Dylan and makes an impressively good fist of capturing the frayed hessian of his distinctive voice. Acoustic guitars are plucked and harmonicas honked with the effortless fluency of someone who learned to play almost before they could walk. Chalamet’s Dylan sucks so fervently on his cigarettes it’s as though he’s breathing in the genius of the musical heroes who came before him. But while he radiates insouciant charisma and channels the once-in-a-lifetime talent, he reveals next to nothing about Dylan as a person. This is not necessarily a failure in Chalamet’s acting. It’s a deliberate choice – the film is called A Complete Unknown, after all, and it’s a manifesto as much as a title. But it...


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